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Italian Premiere

Osmium
Hildur Guðnadóttir
James Ginzburg
Rully Shabara
Sam Slater

Live concert

For the first time at the Romaeuropa Festival, OSMIUM is a project bringing together Icelandic composer and cellist Hildur Guðnadóttir (Academy Award winner for the score of Joker, and Emmy and Grammy winner for the HBO miniseries Chernobyl), James Ginzburg, Rully Shabara, and Sam Slater.
Born from the encounter between four musicians coming from very different trajectories, the work inhabits a threshold zone between sound performance, instrumental experimentation, and artisanal sound construction. More than a concert, OSMIUM is an electroacoustic device in which self-built instruments, body, voice, feedback, and technology continuously redefine the relationship between human gesture and mechanical response.
Guðnadóttir performs on the halldorophone, an electroacoustic instrument capable of generating unstable feedback loops; Ginzburg intervenes with a custom-developed monochord; Slater works with a self-oscillating percussion system; while Shabara, vocalist of Senyawa, pushes vocal emission into a guttural, pre-linguistic territory.

The result is a raw and magnetic sonic matter, made of metallic drones, pulsations, distortions, and friction, in which the stage does not simply become a sound laboratory, but a field of tension where sound continuously produces, alters, and destabilises action.

OSMIUM is a collaboration between Icelandic Oscar-winning composer and cellist Hildur Guðnadóttir, James Ginzburg (emptyset, Subtext), Rully Shabara (Senyawa), and Grammy-winning producer and sound designer Sam Slater.
Forging electroacoustic soundscapes of burnished drones, jagged rhythms, and biomechanical vocalisations, OSMIUM’s debut album (Invada, 20 June 2025) rejects any fixed vision of the future. Instead, it channels a viscous and unorthodox flow of sonic speculation—hovering among echoes of ancient pasts while reaching toward an unstable and unpredictable frontier of becoming.
Driven by questions surrounding the relationship between humans and machines, tradition and progress, individual and collective expression, OSMIUM translate their deep collective experience into a series of forward-looking sonic investigations. Their music draws from folk, doom metal, 20th-century minimalism, industrial, and extreme noise, without ever fully settling into any single genre.


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