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theatre
Italian Premiere

Jaha Koo
CAMPO

Haribo Kimchi

South Korean director and composer Jaha Koo has established himself on the international scene with a highly hybrid and personal style, weaving together music, video, and robotic performers to reflect on cultural assimilation, with all its conflicts and paradoxes. In 2026 he received the International Ibsen Award, one of the most prestigious recognitions in the world for the performing arts, becoming the first Asian artist to obtain it. With Haribo Kimchi he makes his debut at the Romaeuropa Festival, presenting an experience that engages all the senses.
Here, food and sound become narrative material: the surprising taste of seaweed soup, the sharp sound of a knife slicing cucumbers, the bubbling of mushrooms over an open flame, the unmistakable aroma of kimchi (fermented cabbage, a symbol of Korean tradition). From this point, the scene unfolds as a pojangmacha, the typical Korean street food stall that animates the night streets of South Korea.
In this suspended space between everyday life and imagination, Koo introduces three unlikely characters (a snail, a gummy bear, and an eel) who guide us through a culinary and identity-driven journey, where food becomes a refuge for those who feel distant from their roots. Through intimate and surreal anecdotes, the performance traverses the history and culture of kimchi, recounts the bitter violence of racism, the shame of attempts to “blend in,” and the stubborn desire to preserve the taste of home.
The result is a poetic and gripping performance, crossed by a bittersweet melancholy: like a marinade, like an ingredient that continues to reveal itself slowly, bite after bite.

Jaha Koo is a South Korean theater/performance maker, director, composer, and videomaker. His artistic practice moves between multimedia and performance, weaving together music, video, text, and robotic objects.

His most recent project, the Hamartia Trilogy, includes Lolling and Rolling (2015), Cuckoo (2017), and The History of Korean Western Theatre (2020). The trilogy represents a long-term research project into the political landscape, colonial history, and cultural identity of East Asia. Thematically, it focuses on the structural issues of Korean society and how an inescapable past continues to tragically impact our lives in the present. Haribo Kimchi, his latest work, debuted in 2024.

Crediti

concept, text, direction, music, sound and video Jaha Koo
performance Gona, Haribo, Eel, Jaha Koo e due ospiti
dramaturgy Dries Douibi
scenography, research assistant and media operations Eunkyung Jeong
artistic consultant Pol Heyvaert
technical coordination Korneel Coessens
technical Bart Huybrechts, Babette Poncelet e Jasse Vergauwe
coordinamento di produzione Wim Clapdorp
english review Jason Wrubell
snail animation Vincent Lynen

Production CAMPO
Co-production Kunstenfestivaldesarts (Bruxelles), Rideau de Bruxelles, Theater Utrecht, SPRING Festival (Utrecht), Festival d’Automne à Paris, Théâtre de la Bastille (Parigi), Tangente St. Pölten – Festival für Gegenwartskultur, &Espoo Theatre (Espoo), International Summer Festival Kampnagel (Amburgo), Sophiensaele (Berlino), Meet You Festival (Valladolid), Bunker (Lubiana), National Theatre and Concert Hall Taipei, The Divine Comedy International Theater Festival / Teatr ?a?nia Nowa (Cracovia) e Perpodium
With the support of Tax Shelter del Governo Federale Belga tramite Cronos Invest e il Governo delle Fiandre

The eel prototype was developed within the Innovation:Lab funnel, in co-production with Theater Utrecht and creative technologists Adriaan Wormgoor and Willem Vooijs.

With the support of
In collaboration with

Under the High Patronage of the President of the Republic

With the contribution of

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