For this new night, ULTRA CLUB opens a dialogue with Visioni Parallele, a Rome-based platform active since 2016 at the intersection of contemporary creativity, digital languages, and cultural design, building experiences in which technology, image, and imagination become living matter. From this encounter emerges a programme that brings together two proposals that are profoundly different, yet united by the same tension toward the present: on one side immersive audiovisual research, on the other an oblique, emotional, and ever-evolving form of pop songwriting. Two trajectories that are only seemingly distant, sharing a common drive toward contemporaneity, the mutation of languages, and an idea of live performance as a total experience.
Line-up:
prima stanza a destra
Following the success of his first club tour—culminating in a sold-out show in Milan and an overwhelmingly positive response across Italy—prima stanza a destra returns to festival stages with a new chapter in his live project. After a summer that already saw him stand out for intensity, personality, and high-profile support slots for James Blake and Fred again.. in front of thousands of people, he confirms himself as one of the most promising voices of the new Italian scene.
An artist among the most compelling of the new Italian generation, he builds a sonic universe where enveloping electronics, pop melodies, and emotional songwriting coexist in a constant balance between fragility and impact. On stage, he presents his latest EP la ragazza che suonava il piano (Sugar Music), alongside audience favourites from the project (from ti amo to tracks from AMANDA), in an immersive set of synths and layered emotions, capable of amplifying the narrative strength of his music.
Riccardo Giovinetto – H U M I
Riccardo Giovinetto
H U M I is an immersive audiovisual performance that explores the concept of the boundary not as a line of separation, but as a mobile, porous, and unstable threshold: a field of relations in which territories, forms, and identities contaminate one another until their contours dissolve. Through high-definition sampling of remote regions of the Earth, processed via AI-driven regeneration techniques, the work constructs a constantly shifting geography: arid surfaces liquefying, coastlines breaking and overlapping, urban textures dissolving into pulsating matter. The landscape is not represented, but continuously rewritten.
A visual and multimedia artist, physicist, and university lecturer, Giovinetto moves across audiovisual performance, immersive installations, and contemporary composition, exploring the ever-evolving dialogue between sound, image, and algorithmic structures.
