With IK… eh ik, musical theatre company Het Houten Huis build a space outside the logic of physics: a room where gravity does not...
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Francesco is called Giovanni. He was born to a French mother when his father was in France selling fine fabrics. So they call him...
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Born in 1995, Giovanni Onorato built his artistic career on a scenic and dramaturgical language capable of combining poetry and irony and that incorporates...
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Fabiana Iacozzilli returns to the REF to conclude her Trilogia del Vento, inaugurated with La Classe and continued with Una Cosa Enorme. Four paintings...
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A light shines on the desire for motherhood and its opposite- it is an exploration of the ability to take care of someone other...
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«We narrate upside down worlds in order to be able to understand ours, we stimulate the surreal so as not to justify the present»....
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Almost a year after his death, Romaeuropa Festival pays homage to maestro Peter Brook, one of the most emblematic and revolutionary figures in the...
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For Greek artist Elli Papakonstantinou, musical theatre is a territory without borders, a ground for experimentation with word, text, video, live music and dance...
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A new family show, loosely based on the popular Lucky Luke comic series: a low-country Western, an ode to the imagination of children in...
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Era il 2012 quando con il suo Birds with skymirror, il samoano-neozelandese Lemi Ponifasio, incantava il pubblico del Romaeuropa Festival. Con un linguaggio inedito e...
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Roberto Abbiati has transformed his passion for Moby Dick into a show dedicated to children and families. Inspired by the illustrations in Matteo Codignola’s...
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When asked about his artistic career, Milo Rau has repeatedly spoken of the way in which his opus can be divided into two different...
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At 5pm, as he does every day, a night watchman begins his working day. He sits in front of monitors and surveillance devices with...
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Princess Isatu Hassan Bangura’s international debut is linked to her encounter with Milo Rau. From that moment on, Princess felt ready to share her...
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