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Curated by
Mattatoio - T2
dance - dance - Ultra REF

Stéphanie Mwamba
Diana Odhiambo

Bambu 2026

Following the performances, a conversation with the two artists and Roberto Castello.


BAMBU is a project that builds cultural relationships between Italy and Sub-Saharan Africa through a principle of concrete, reciprocal, and non-hierarchical collaboration. Rather than a showcase, it is a space of encounter between artists, programmers, and contexts, created to bring forward the vitality of the contemporary African scene and to generate lasting connections between practices, visions, and institutions. For its second edition, BAMBU presents two short solos by two female authors from the equatorial African region—, Stéphanie Mwamba (Democratic Republic of the Congo), and Diana Odhiambo (Kenya)—who, from different perspectives, interrogate the social and symbolic universe of the feminine, creating tensions between tradition and cosmopolitanism, memory and transformation. Each evening is accompanied by a public talk moderated by Roberto Castello.

With KIZAZI, Stéphanie Mwamba constructs a dance of memory, transmission, and metamorphosis, in which Congolese tradition enters into dialogue with contemporary choreographic practices. The body here becomes a living archive, traversed by ancestral traces, life cycles, buried emotions, and female genealogies. It is an intimate and ritual work that looks at the womb as a site of memory and creative matrix, and at dance as a tool for reconnecting with an originary, organic, and telluric force.

In THIN LINE, Diana Odhiambo draws on her own experience as one of the very few contemporary dancers active in Kisumu, Kenya, to shape a work that is both personal and political. Through the interplay of movement, text, music, and voice, the solo brings to light the often-silenced stories of African mothers and the struggles that continue to resonate in the bodies of their daughters, seeking a fragile yet necessary balance between decolonisation and cultural preservation, between individual wound and collective memory.

STÉPHANIE MWAMBA
Stéphanie Mwamba (1997) is a choreographer, performer, actress, and journalist born in Goma, Democratic Republic of the Congo. After training in contemporary and traditional dance at the Foyer Culturel de Goma, she worked as a soloist with her company Ochula Cie. As a performer, she took part in the revival of Pina Bausch’s The Rite of Spring. In 2019 she founded the Ochula Center, a space dedicated to training, research, and the teaching of traditional and contemporary dance, located in Minova, Democratic Republic of the Congo. The center promotes artistic exchange and hosts residencies, contributing to the development of the local choreographic scene. Her childhood was marked by the fragmentation of the country due to numerous rebellions that separated her from her roots in Kasai, central Congo. Dance and cultural identity thus became the original link to those lost roots and the pillars of an artistic approach grounded in traditional dances, which she continuously places in dialogue with contemporary dance techniques.

DIANA ODHIAMBO
Diana Odhiambo (1993) lives in Kisumu, Kenya, and regularly collaborates on interdisciplinary pan-African projects. In 2024 she graduated in African contemporary dance from École des Sables in Senegal, further developing her choreographic language and artistic vision. Through Thin Line, she asserts the visibility and power of African female voices in dance and society.

KIZAZI
choreography, direction and performance Stéphanie Mwamba
external eye Abdoulaye Trésor Konate, Nadia Beugré, Virginie Dupray
music Skill Sawasawa
production cie Ochula, Libr’Arts / Virginie Dupray, assisted by Noura Soumahoro
with the support of École des Sables – Toubab Dialaw, Amizero Company – Kigali, Embassy of France in Côte d’Ivoire, Institut français de Côte d’Ivoire

THIN LINE
choreography and dance Diana Odhiambo
voice-over Eliane Umuhire (Rwanda/France)
text Wesley Ruzibiza
music Randolph Mathews (UK)
dramaturgy Wesley Ruzibiza (Rwanda)
collaborators Olivier Tarpaga (USA/Burkina Faso), Brian Oloo (Kenya)

BAMBU
an idea by Roberto Castello
executive production ALDES

THE SELECTION OF THE WORKS IN THIS EDITION WAS CURATED BY
Alli Hajarat – QDance Center, Lagos (Nigeria)
Sello Pesa – Ntsoana Contemporary Dance Theatre, Johannesburg (Sudafrica)
Rachel Kessi – MUDA AFRICA Centro di produzione artistica, Dar es Salaam (Tanzania)
Isaac Yenga – Studios Kabako, Kisangani (Congo)
Ndeye Manè Toure – Istituto Africano di Management culturale (Senegal)
Marina Petrillo – Resistere Creare / Fondazione Luzzati Teatro della Tosse, Genova
Gilberto Santini – Consorzio Marche Spettacolo,Ancona
Massimo Ongaro – Centro S. Chiara, Trento
Paolo Cantù – Fondazione I Teatri, Reggio Emilia
Salvatore Tramacere – Cantieri Teatrali Koreja, Lecce
Roberto Castello – ALDES, Lucca

With the support of MIC – Ministero della Cultura, Regione Toscana / Sistema Regionale dello Spettacolo, Fondazione Cassa di Risparmio di Lucca


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