With Mater Nullius, Calabrian multi-instrumentalist Davide Ambrogio brings to the stage an intense and visionary live performance in which oral tradition, archaic rituality, and...
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For nearly twenty years, David Letellier, known as Kangding Ray, has pursued one of the most distinctive and recognisable trajectories in contemporary electronic music,...
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Ultra Club con KLANG The ULTRA CLUB section of the Romaeuropa Festival once again intertwines its path with KLANG, a curatorial platform long dedicated...
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42RECORDS An afternoon dedicated to 42 Records, one of the most important and distinctive independent labels in Italian music over the last two decades....
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For this new night, ULTRA CLUB opens a dialogue with Visioni Parallele, a Rome-based platform active since 2016 at the intersection of contemporary creativity,...
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How do we remember the land when it no longer feeds us? Can theatre restore the smell of soil, the effort of bending down,...
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The project is an immersive musical journey unfolding across two spaces—the Galleria delle Vasche and Sala T2—transforming listening into a continuously shifting experience. The...
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Chara Kotsali, a choreographer and performer from the contemporary Greek scene, has long developed a body of work in which movement, voice, and language...
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Michael Incarbone and Max Gomard, artists of the same generation coming from different backgrounds, construct with We Are Who We Are a device of...
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In Atto Bianco, dance, voice, and singing structure the action in a synergistic way, composing an homage to the maternal and to the “white...
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In Tiago Rodrigues’ No Yogurt for the Dead, the playwright, director, and artistic director of the Festival d’Avignon begins from a true and deeply...
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Giacomo Luci, an artist whose research moves between dance, thought, and scenographic writing, constructs with La Lalangue a work that delves into the less...
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Vidavè Company, founded by Noemi Dalla Vecchia and Matteo Vignali, presents a duet that stages the confrontation between an individual and their double, between...
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