Gardien Party
Among the most acclaimed French directors today, Mohamed El Khatib invites us, together with writer Valérie Mréjen, to visit contemporary art museums with a…
Read MorePieces of a Woman
Written by Kata Wéber and directed by Kornél Mundruczó, Pieces of a Woman was recently acclaimed internationally in its film version. The cinematic language,…
Read MoreFloral Arrangement
Designed for a series of lectures-performances curated by Argentine playwright and director Lola Arias for Teatro Praga, Doing It and Floral Arrangement explore some…
Read MoreMuseo Pasolini
Legacy, testimony, achievement. How do we remember the most important personality of contemporary cultural history? A few months from the beginning of the celebrations…
Read MoreConferenza Degli Assenti
German company Rimini Protokoll returns to Romaeuropa Festival to transform the theater into a “medium” which is useful for global cooperation. Their new production…
Read MoreSituazione Drammatica
Second part of the appointment with SITUAZIONE DRAMMATICA, the format created by Tindaro Granata, hosted by ANNI LUCE and dedicated to new Italian dramaturgy….
Read MoreOttantanove
1789. The French Revolution impacts and changes the whole of Europe, laying the foundations for the world in which we live. But what remains…
Read MoreThe Making of Anastasia (TBC)
A group of women participates in a casting for a new film production dedicated to the figure of Anastasia Romanov, myth and icon of…
Read MoreDiario di un dolore
The mantra of happiness and achievement seems to have produced, in today’s generations, an epidemic of unhappiness. If contemporary societies tend to marginalize and…
Read MoreUn altro Pierino e il Lupo e ancora un Pulcinella
After the success of Barzellette, Ascanio Celestini continues his investigation of popular narratives focusing on the relationship between music and fairy tale. A project…
Read MoreNo Land Lady
Camilla Brison presents the conclusion of her finalist project at the Venice Biennale 2018 competition for young directors under 30. The inspiration for No…
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